Download Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives (Routledge Advances in Theatre & Performance Studies) - Matthew Reason | ePub
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9 sep 2020 as he puts it, “the liveness of the experience of listening to or watching the renaissance and contemporary audience experience of theatre.
3 jan 2021 heim, caroline (2019) experiencing liveness in contemporary performance: interdisciplinary perspectives.
The live, synchronous nature of the broadcast is a key feature, and while some viewers found having less control over their viewing experience disconcerting, it resulted in different watching and production practices. This included the creation of memetic content which was shared with the wider community of fans beyond those watching the stream.
Experiencing liveness in contemporary performance: interdisciplinary perspectives.
Author(s): doughtie, spencer advisor(s): cuthbert, david lee abstract: the nature of “liveness” is the subject of much theoretical debate as our culture plunges deeper into the act of recording and reproducing performance. Theorists like philip auslander and peggy phelan have tried to define liveness as it opposes this “mediatized” condition, but as a millenial who has experienced.
But with recorded media creeping into plays everywhere, it's increasingly hard to find a pure live experience.
This liveness arises from the transmission of an artist's presence and the construction of an audience community as an event; whether performed in realtime, recorded, online, or offline. Drawing on participant interviews, the following explores how contemporary artists and industry personnel perceive and incorporate liveness into their career trajectories, and use online tools and diy approaches that support and create opportunities for live performance.
The comments section is indicative of online liveness, and the ubiquity of digital technology in cultural consumption means liveness should be reconceived as an affective experience (auslander.
Defining the contemporary contemporary – that is, the contemporary of our times rather than the contemporary of any time – is related to an understanding of the contemporary condition as being one of con-temporaneity. Contemporaneity is the bringing together of a multitude of different co-existing temporalities in the same historical present; it is an intensified planetary interconnectedness of different times and experiences of time.
Experiencing liveness in contemporary performance, edited by matthew reason and anja molle lindelof (published routledge 2017), moves beyond debates.
Such language casts contemporary art viewing as a marathon endurance challenge rather than the experience of leisure or aesthetics that many visitors to the biennale may be expecting. 56th international art exhibition – la biennale di venezia, all the world’s futures.
Liveness, in relation to television, can be defined simply as moving images being broadcasted in real time. With the passing of time, the definition of liveness has become more complex. This means that defining liveness has become a somewhat difficult task.
2016experiencing liveness in contemporary performance: interdisciplinary perspectives266-271routledge.
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and its systems of knowledge to a language that produces description, transmission, and signification, in order to be read, enacted, or executed in whatever form desirable.
Experiencing liveness in contemporary performance: interdisciplinary perspectives, edited by matthew reason and anja mølle lindelofs sarah hoover.
15 oct 2018 experiencing liveness in contemporary performance: interdisciplinary perspectives.
Experiencing liveness in contemporary performance: this volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience.
In *experiencing liveness in contemporary performance: interdisciplinary perspectives*, edited by matthew reason and anja mølle lindelof. “three performances: a virtual (musical) improvisation” is an artistic experiment that the authors call a ‘performance-reading’.
Digital customer experience - a modern unique concept - accurascan 26 feb 2020 digital change is constraining organizations to change their plans of action and adjust to the new market reality.
Liveness, as discussed in hci and in media studies, focuses on an intriguing and beloved experiential quality that can influence new forms of video applications. We suggest a shift from accounts of liveness in events to liveness in ambient media for home décor by designing a system called translive that exploits the magic of mediatizing the now at a distant and cherished place.
Experiencing liveness in contemporary performance interdisciplinary perspectives: 128: 9: thinking theatre: enhancing children’s theatrical experiences through philosophical enquiry: 109: 88: 10: archive or memory.
Liveness should be interpreted as a development within media history as a whole. at the base, the need to connect oneself, with others, to the world’s events, is central to the development of the modern nation. (bourdon, 2000: 551-552) media belong to the history of the progressive organization of social life across space.
In the domain of music for performers and electronic sounds (whether fixed or live) there are various paradigms of interaction: the performer(s) may be situated in an electroacoustic ‘environment’; there may be a primarily responsorial or ‘proliferating’ relationship; or the relationship may be closer to the traditional one between.
The son of émigrés from afghanistan and poland, lars jan is a director, artist, writer, and activist known for visually striking, genre-bending performance and installation works exploring emerging technologies, live gatherings, and unclassifiable experience.
서명/저자사항, experiencing liveness in contemporary performance interdisciplinary perspectives / edited by matthew reason and anja mølle lindelof.
My new favourite metaphor for empathy is ‘neural wifi’, as described by lynn lu in her chapter ‘empathy and resonant relationships in performance art’ in the book experiencing liveness in contemporary performance: interdisciplinary perspectives. A so far quite useful and accessible book, with interesting discourses on what ‘liveness’ is and why it matters (for instance that we shouldn’t see it in opposition to mediation but in opposition to deadliness.
Active liveness typically requires the person to complete some sort of action when instructed to do so, for example blinking or smiling. Active liveness uses indicators like eye movement, facial gestures and lip movement. Passive liveness testing and detection also uses facial recognition software but does not require the person to complete a preset action.
Online fraud is now 81% more likely than fraud at the point of sale, and account takeover fraud (ato) made up a significant and growing chunk of total online fraud in 2017, according to a new report.
The modern experience in microsoft sharepoint is designed to be compelling, flexible, and more performant. The modern experience makes it easier for anyone to create beautiful, dynamic sites and pages that are mobile-ready.
It is this sense of liveness that separates the theatre environment from television of film. Liveness is consumed; it is the unique selling point for theatre. Edinburgh based company, the audience business, a company well rehearsed in liveness as a commodity, launched an advertising campaign called you’ll love it live (2000). The campaign consisted of “a press launch, pr stunts and series of posters, including one carrying the slogan ‘experience the thrill of a live performance.
Get this from a library! experiencing liveness in contemporary performance interdisciplinary perspectives.
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Eisa jocson is a contemporary choreographer and dancer, trained as a visual artist, with a background in ballet. She has been commissioned by and toured extensively in major contemporary festivals with her solo triptych: death of the pole dancer (2011), macho dancer (2013) and host (2015).
Experiencing liveness in contemporary performance interdisciplinary perspective. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable).
Introduction: experiencing liveness in contemporary performance book.
Her research is disseminated in a routledge collection entitled: experiencing liveness in contemporary performance: interdisciplinary perspectives (2016).
Besides modern music (sanden 2013), opera studies is a branch of musicology that adopts and discusses 'liveness' as a main category (senici 2009(senici 2010esse 2010;georgi 2014;irina 2016).
(causey, 2006) we are living in such an era where modern person can post their own content through social media and easily access any information at any time and thus the concept of watching and witnessing is based on media such as tv or internet - far from the concept of ‘live’- in order to ensure sustainability of the most important, unique and inseparable part of performing arts, that is to say ‘liveness’, performing arts should speak the same language with the era and provide.
A key feature of the contemporary super bowl structure is its extravagant half-time entertainment, which consists of three main elements: expert commentary on the events of the first half and reflections on the game; a large-scale performance from a popular music act -recent acts include madonna (2012), the who (2010), bruce springsteen (2009.
Bass • berlin • composer • composition • contemporary music • contrabass project interweaves direct artistic experience with insights from improvisation studies, the and experiencing liveness in contemporary performance ( routledg.
Both types accurately detect a range of spoofs, but only passive liveness keeps the process fast and effortless. The fact that companies are increasingly prioritizing user experience as a way to attract and retain customers is driving the shift from yesterday’s active solutions to today’s modern, passive liveness detection.
Investigates a non-mediated event, where the performers and the audience are co-located, and how the liveness experience is diminished if part of the creative work is pre-manufactured a performance[18]. For example, co-present experiences of “laptop”-generated vj performances feel.
Contemporary live music events are enabled by and always exist in an entanglement with technology and chapter 3 examines understandings and experiences.
Starting in april 2021, disney's contemporary resort will begin a refurbishment to reimagine guest rooms. As we open these hotels, a number of health-and-safety measures will be in place. Additionally, some experiences may be modified or unavailable.
Liveness is experiencing a long and slow death that began with the written word and has continued into broadcast technologies and internet communications. In fact, the very acknowledgement of liveness as a mode of mediation is suggestive of its dying nature. Until an alternative to liveness developed there was no concept of live.
Liveness can also be determined through sensory means, such as detecting warmth in the finger used for scanning, or measuring blood flow and heart rate. For example, when doing a facial recognition scan, the application can tell the user to move their eyebrows, smile then frown, or blink a certain number of times.
16 may 2019 experiencing liveness in contemporary performance (co-edited with anja mølle lindelof, routledge 2016) and applied practice: evidence.
To research how the arg affects the viewers' experience of liveness, there first needs to more specifically, contemporary args are interactive works of fiction.
This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value.
'doctor who on twitch', a streaming experience wherein classic. Doctor who episodes from (2016) experiencing liveness in contemporary performance.
Liveness in modern music has no shortage of references to earlier writers, but the author spends more time summarizing those writers point by point than he does contending with them and developing their ideas. These summaries are fine as they go, but they ultimately give the book a dissertation-like quality.
The goal of liveness testing is to determine whether the biometric that is being captured is an actual measurement from the authorized, live person who is present at the time of capture. Well-crafted liveness detection methods help to minimize the risk against spoofing.
Liveness in broadcasting first offered audiences the option of (aurally and/or visually) experiencing an event at a distance through technological mediation, in real time (scannell, 1996). This form of presence at a distance shares a sense of immediacy with telepresence, but is basically asymmetrical (one way) and does not allow interactions.
Regarding the instrumentation process, our experience is that tool support for maintaining monitor models separately from design models is essential, for a variety of reasons. First, in modern mbd processes, design models are often inputs into later development stages; for example, code may be generated automatically from them.
Stunts of late nineteenth- century new york: aestheticised precarity, endangered liveness examines experiencing liveness in contemporary performance.
2 aug 2019 experiencing liveness in contemporary performance: interdisciplinary perspectives.
Working in applied practice, audience research and contemporary performance my research specialisms include audiences, theatre for children, liveness, to know about the audience experience of performance and on several projec.
Graduate courses “preserving what's lost: memory, liveness, and post-humanism in the national parks.
In experiencing liveness in contemporary performance, edited by matthew reason and anja mølle lindelof.
Introduction: experiencing liveness in contemporary performance doi link for introduction: experiencing liveness in contemporary performance. Introduction: experiencing liveness in contemporary performance book.
As matthew reason and anje mølle lindelof argue in the introduction to their recent edited volume experiencing liveness in contemporary performance.
It started out by depicting a more up-to-date reality, using images of film-stars and other celebrities, as well as mass-made consumer goods.
Sisters academy: radical live intervention into the educational system in experiencing liveness in contemporary performance, routledge, 2016.
Reaction videos capture liveness as both the claim to the “first time” watching, and as a spectacle of spontaneous affective experience. Fan reaction videos recast media consumption itself as transformative participation—fans are often primed to like the things they are reacting to, and their fan interventions are performances of identity.
Of course, this live experience is mediated and enhanced by technology, unifying the immaterial with the material world. Liveness a quality identified in mass media presentation studies, has seeped its way into computing, digital humanities, and user experience work recently, highlighting the intersection of human and technical in contemporary culture.
Shared experience, functions as a marker of liveness separate from the physical production of sound is provided by electronic music performance.
Auslander is arguably most well-known for his writing on the concept of liveness in liveness: performance in a mediatized culture (1999); he goes so far as to say that the playing of an analogue tape or video is 'live' because of its ever-so-slight change in quality due to repeated playbacks. While theoretically this is true, i would argue this concept of liveness is shaky given a viewers' lack of sensory awareness that there is, in fact, a change in back-to-back viewings of a video.
Experiencing liveness in contemporary performance of languaging experience' (sheetsjohnstone 2009, 367).
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